Has everything: doppelgangers, obsession, a dolly zoom, James Stewart falling off a roof, cinema’s slowest car or truck chase and an unsettling Saul Bass title sequence – all wrapped up in by far the most sexually charged atmosphere imaginable. Again in 1975, Stanley Kubrick’s somber adaptation of William Makepeace Thackeray’s https://participa.economiasocialcatalunya.cat/profiles/phimhentais/activity